Our Featured
Artists

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A
Alexander, Douglas
B
Ballard, Brian
Behan, John
Bewick, Pauline
Blackshaw, Basil
Brocquy, Louis Le
Brady, Charles
Brohan, James
Brophy, Elizabeth
C
Carey, Joseph William
Carrick, Desmond
Casey, Comhghall
Collis, Peter
Cope, Elizabeth
Craig, James
Crozier, William
Cunningham, Grace
Curling, Peter
D
Davis, Gerald
Donovan, Jack
E
Egginton, Frank
English, James
F
Finnin, Martin
Flood, Kevin
Fox, Bob
French, Percy
G
Gillespie, George
H
Hamilton, Ken
Hamilton, Letitia
Hayes, Edwin
Higgins, R.B.
Hone, Evie
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Kelly, Paul
Kenny, Alan
Kingerlee, John
Klitz, Tony
Knuttel, Graham
L
Leonard, Patrick
M
Maccabe, Gladys
MacGonigal, Maurice
Maderson, Arthur K.
McAllister, Therese
McGuinness, William B.
Maguire, Cecil
Maile, Ben
McCaig, Norman
McGrane, Henry
McSweeney, Sean
Minihan, John
Mooney, Martin
Moroney, Ken
Morris, John
O
O'Malley, Tony
O'Neill, Mark
R
Robinson, Markey
Rothwell, Richard
Russell, George
Ryan, Thomas
P
Pye, Patrick
S
Schwatschke, John
Shawcross, Neil
Steyn, Stella
T
Francis Tansey
Teskey, Donald
W
Webb, Kenneth
Wilks, Maurice
Y
Yeats, Jack B.
Yeats, John B.
Young, Mabel
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The Comhghall Casey Collection
For all pricing, please contact the gallery |

WEDDING FUND
Treasures,
39 Church Street,
Athlone,
Co.Westmeath,
Ireland.
Tel: (00353)906475762
Mobile: (00353)879080707
e-mail:
treasuresathlone@gmail.com
Opening hours
10am-7pm Mon-Sat
(or by appointment)
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Biography
Comhghall Casey was born in 1976 in Letterkenny, Co.Donegal and grew up in Omagh in Co. Tyrone.
He moved to Belfast in 1994 to study Art and Design at the University of Ulster and graduated with a BA (Hons) in Fine Art in 1998. After spending two years in Belfast, he moved to Dublin and has been living and working here ever since.
Comhghall generally works on a small scale and his preferred subject matter is still life, self-portraiture and occasionally landscape painting. In the still life works he chooses to study mundane, deliberately ordinary, everyday objects, such as houseplants, coins, cuts of meat, fruits or childs' toys. Each object is placed centrally against a neutral background, along the dividing line between the simple tabletop and background wall. Devoid of any narrative or meaning, Comhghall explains that in some way he is "trying to give an importance to these objects, to convey their tangibility, to freeze their presence".

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